My pictorial work is based on the painting itself as a continuous study, which gives rise to different branches of observation, such as landscapes, my everyday environment, and personal experiences.

I experience the painting process as a leap into the void, as a mysterious place where I can investigate without being conditioned by a particular image.

On the other hand, each landscape that emerges in the painting reminds me of another possible way of observing. The images are intertwined in a structure that aims to traverse paths where color and form are the protagonists.

 

I am interested in creating spaces configured from the beauty of details, places that blend in with undefined entities, which remind me that reality does not exist as such.

In my most recent works, the theme of the vaporous appears, that which rises or disappears into space, like unfinished figures that suggest transformation, journey, and death and that do not completely reveal their image, path, or meaning.

There is a world of possibilities between what is shown and what is not, what could have been and was not, or what I imagine to be and manage to see.

 

Essentially, the paintings are a space towards the deep, towards the spiritual that resonates within me, towards the poetry of the disarmed image that gains strength in its movement and in the search for a place that gives it meaning.